Friday, August 22, 2014

Being Laid To Rest In the Victorian Era

English: Funeral procession of Queen Liliuokal...
English: Funeral procession 
The funeral cortege of Edward the Confessor, f...
The funeral cortege of Edward the Confessor, from the Bayeux Tapestry (Photo credit: Wikipedia) The funeral procession has been around for centuries in Westren Culture
Trauerschmuck, Brosche, Glas, 19. Jahrh.
Trauerschmuck, Brosche, Glas, 19. Jahrh. (Photo credit: Wikipedia)Example of Victorian Mourning Jewelry
English: Advertisement for Victorian mourning ...
English: Advertisement for Victorian mourning garb. (Photo credit: Wikipedia)
Victorian Funerals



Victorians were fond of the gothic and melodramatic .Death was common place and unlike most weddings of the time, they were conducted with great pomp and circumstance. If a man was wretchedly poor in life his grandest moment of social participation may have been so in death.
It was common for many lower class families to have put aside funds and for the burial of their offspring as childhood mortality was high during the Victorian era (1837-1901). The quality of life for living children suffered so that a fine funeral could be provided the dead.
The mark of any proper Victorian funeral was the funeral procession. In England the processions were much more of a spectacle than they were in the United States. It was grand procession in both countries with pall bears that sometimes had batons, pages, and men dressed in gowns that carried wands. These professions many times became drunken parades as the men waited long periods of time in the cold and drank gin to stay warm. A wealthy family might suffer great social embarrassment if the procession ended up looking like a circus parade; because their hired mourners drank too much.
The first vehicle in the funeral procession was the hearse drawn by six black horses. In the United Kingdom it was customary for the horses to sport dark colored feathered plumes on their heads. The hearse was gilded with gold and silver, and the coffin could be seen in a glass car. Some hearses sported a canopy of black ostrich feathers. Coffins were highly polished and sported silver handles and plates. If cloth covering were used on the coffin; they were attached with brass nails. Colors that were acceptable for funeral cloths were rich purples or greens. Gone were the simple sheer cotton shrouds that had graced the body of the deceased in earlier times.
The other carriages the followed contained the mourners and celery in order of their relation to the deceased. Men wore dark suits and women wore black gowns made of black crape and full black veils. Fashion dictated female family members of the departed use black gloves and black fans. Only mourners outside of the family wore fine black silk as less ostentatious black dress was expected of family members.
Only black jet jewelry was worn by mourners and by female family members for up to two years while the family was officially in the state of mourning. Society dictated that Victorian widow wear full and deep veils for up to two years and only black kid gloves for up to six months. All black dress was worn by the relations of the deceased for at least three months. Crepe was the fabric of choice for most women in morning. Younger women could get away with wearing half morning clothes of purple after a few months as long as they were not a widow.
Most widows avoided social events for 18 months after the death of their husband. Children generally were in muted colors, but not full morning garb three to six months after the death of a sibling or parent. Widowers only avoided polite society for a year after the death of their wife. It is unlikely rural farm families had the time or money to follow these strict Victorian customs too closely.
Victorian wakes were held at the home of the debased and might include friends and family not present at the funeral. Invitations might invite visitors to view the corpse with the family sitting in mourning in the next room. Notes of condolence were sent to the family within ten days after the funeral. Calling cards of a common social nature were left but not expected to be acknowledged by the grieving family for at least three months.
The wake tended to be a large meal provided by the relatives but not the immediate family of the departed. In poor homes food would be brought in by relatives and neighbors to spare the mourning family the chore of preparing food for the wake. In wealthier homes footman and servants were expected to wear simple mourning garb until their master's family stopped official deep mourning. Those who attended the wake may have been given elaborate cards commemorating the death.
Those invited specifically to a 'private "funeral were given even more elaborate cards they would keep in books or in special holders in their pillars. Death announcements on printed cards of black edged paper were sent to distant friends and relatives or out to the community in general if their paper did not print death notices.
Many times Victorian women made wreaths of the hair of the departed that might be displayed at the wake or funeral. Some were wreaths that were keep as funeral mementos and had the braided hair of several family members that passed. Some locks were worn as a sort of morning jewelry in the form of woven chokers or bracelets.
When photography became less expensive, many times photos were taken of the deceased in the casket or posed as if they were sleeping. Pictures of children and infants were especially cherished and might be even printed on funeral cards if the the family could bear the expense. Poetic verse and scripture appeared with at least drawings of angels and other religious symbols on most furneral cards.

When the casket was laid to rest in the cemetery it was thought to be too of a traumatic event to be witnessed by the if witnessed by the female members of the family or children  of the newly departed. Only older male members of the family stayed to watch the casket are laid to rest in the ground. 

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